AI 生成映画の内部を調査、最も優れた部分は人間によるものだった

Charles Pulliam-Moore

is a reporter focusing on film, TV, and pop culture. Before The Verge, he wrote about comic books, labor, race, and more at io9 and Gizmodo for almost five years.

Imagine a trio of bumbling, English lads who fantasize about becoming megastars while knocking back a few pints in a grimy pub somewhere in London. Picture the guys chortling and trying to one-up each other’s idealized visions of the future with a series of increasingly glitzy fantasies in which their fame leads to access to groupies and lavish parties on luxurious boats. Imagine these men are actually characters in a film — one filled with hyperkinetic smash cuts to action sequences in which they’re fighting or running from armed goons. This movie might be the sort of feature you’d expect from directors like Edgar Wright or Guy Ritchie. But all of this actually comes from *Cully Hill Boys*, the latest project from the AI filmmaking platform Higgsfield.

*Cully Hill Boys *is one of the few AI movies out this year that comes anywhere near close to looking and feeling like a traditionally produced feature. A large part of the movie’s strength is almost certainly rooted in how much Wright and Ritchie’s style has been baked into it, and it’s not just visual inspiration. In addition to posting Cully Hill Boys online, Higgsfield published many of the prompts that were used to make it. Several of those prompts mention Wright and Ritchie by name, which, along with a script written by a real screenwriter, underlines how the best parts of these films are undeniably taken from actual human artists.

*Cully Hill Boys *tells the story of three struggling rappers from East London whose lives are turned upside down when they accidentally steal a crime lord’s money.

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