The Decoderメディア報道·2026年2月27日 05:00·約1分

Suno投資家がSpotifyからAI音楽へ乗り換えを認め、同社のフェアユース主張を誤って弱体化させる

#生成AI #AI音楽生成 #著作権 #Suno #フェアユース #AI規制

整理・翻訳:ainew.jp 編集システムAIによる自動処理作り方と限界

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Sunoの投資家C.C. Gong氏が、Spotifyの利用をほぼやめてAI音楽に切り替えたと発言し、同社のフェアユースの法的主張を誤って損ない、音楽業界の訴訟で有利な材料を提供した。

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Sunoの投資家であるC.C. Gong氏は、自身のX（旧Twitter）で、もはやSpotifyをほとんど使わなくなったと発言した。この発言は、同社のフェアユースの主張を誤って弱めることとなり、AI音楽スタートアップを提訴している音楽業界側に、強力な論拠を提供する結果となってしまった。

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Feb 26, 2026

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Suno's own investor undercuts the company's fair use defense

Suno investor C.C. Gong told X she barely uses Spotify anymore, accidentally undermining Suno's legal defense by admitting AI music directly competes with human-made music.

Suno has hit $300 million in annualized revenue with two million paying subscribers, all in less than two years, according to co-founder Mikey Shulman. "Suno lets everyone actively participate in music culture creation, bringing to life the music that’s inside millions of people," Shulman wrote on X.

But the company is also fighting a legal battle with parts of the music industry over training its generator on copyrighted music without permission. Shulman's defense boils down to a familiar argument: learning from data isn't copyright infringement. It's the same fair use playbook other AI companies use. The core claim is that the use of data is transformative, producing something new that doesn't compete with the original.

Suno's own investor undercuts the company's fair use defense

That "doesn't compete" part is exactly what Suno investor C.C. Gong from Menlo Ventures just blew up. In a post on X, she said she had moved most of her music listening from Spotify to Suno because she was sick of the same recycled recommendations. If everyone can create music, the catalog becomes infinite and the experience more personal, she argued. Instead of fighting over mainstream hits, AI unlocks an "ever-expanding long tail."

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